TY  - ADVS
AU  - Braun,Josh
AU  - Hand,David
AU  - Oxman,Alan
AU  - Schlesinger,Adam
AU  - Novack,Kate
AU  - Rossi,Andrew
AU  - Brill,Paul
ED  - Magnolia Pictures (Firm)
ED  - Participant Media.
ED  - History Films.
ED  - Magnolia Home Entertainment (Firm)
TI  - Page one: inside the New York times 
SN  - 0876964004251
AV  - PN4899.N42 N3765 2011
U1  - 071/.471 22
PY  - 2011///
CY  - New York, NY, Los Angeles, CA
PB  - Magnolia Pictures, Distributed byMagnolia Home Entertainment
KW  - Journalism
KW  - United States
KW  - Sears
KW  - Newspapers
KW  - Documentary films
KW  - lcgft
KW  - Nonfiction films
KW  - Video recordings for the hearing impaired
N1  - Special features: Carl Bernstein on the real threat to newspapers (3 min.) ; Emily Bell on keeping journalism relevant (2 min.) ; Sarah Ellison on the mind of Murdoch (4 min.) ; additional scenes (22 min.) ; journalists react to "Page one" (3 min.) ; Q&A highlights with the cast and filmmakers (17 min.) ; Tim Arango with Jo�ao Silva in Iraq (5 min.) ; also from Magnolia Home Entertainment (10 min.); Deep trouble -- Two things -- Meetings -- Page one guy -- Blogging -- Media Armageddon -- Executive editor -- The big board -- Diplomatic cables -- Debt -- The truth -- End notes; Editors, Chad Beck, Christopher Branca, Sarah Devorkin ; cinematographer, Andrew Rossi ; original music, Paul Brill; Commentators, Sarah Ellison, Andrew Ross Sorkin, David Carr, Larry Ingrassia, Bruce Headlam, Dennis Crowley, Richard P�erez-Pe�na, Evan Williams, Clay Shirky, Paul Steiger, Brian Stelter, Markos Moulitsas, Alex S. Jones, Seth Mnookin, Ian Fisher, Nicholas Lemann, Noam Cohen, Clairborne Ray, Susan Chira, Carla Baranauckas, Jill Abramson, Katherine Bouton, Bill Keller, Nick Denton, Jeff Jarvis, Jimmy Wales, Katrina VAnden Heuvel, Rick Lyman, Shane Smith, Dean Baquet, Tim Arango, Brian Lam, Gay Talese, Charles Strum, David Remnick, Joseph Kahn, James McQuivey, Carl Bernstein, Michael Hirschorn, John Carr.; MPAA rating: R; for language, including some sexual references
N2  - Chronicles the transformation of The New York Times newsroom and the inner workings of the Media Desk as the Internet redefines the media industry by surpassing print as the main source of news. At the heart of the film is the burning question on the minds of everyone who cares about a rigorous American press, Times lover or not: what will happen if the fast-moving future of media leaves behind the fact-based, original reporting that helps to define our society? This up-close look at factors and actors that produce the "daily miracle" of a great news organization provides a portrait of journalists continuing to produce extraordinary work under increasingly difficult circumstances
ER  -